(This man might know something; nothing is a coincidence. I believe there must be a reason for him to appear before me. In this world, everything has a cause, big or small.)
(There's one more stop after this; it's going to get dark soon. My mom is going to be really mad at me this time, especially since she's already angry from last night.)
Our character gets off the minibus and starts walking to the next stop.
(If this man is telling the truth, and I'm going to find out who he is in the future, then I don't need to do anything right now because I have more important things to deal with.)
(Why are they trying to act so mysteriously? I really don't understand this, especially Leonardo Moretti.)
(When people are secretive, they think they become more unreachable. It's ridiculous.)
(The man was right; people now care more about material gains than human relationships due to this capitalist order. But I don't blame them because they've been forced into it.)
(If they want to live, they have no choice but to accept this. They have no other options.)
Our character arrives at the next stop and boards the second minibus.
(Finally, I've arrived and boarded. From now on, I just need to walk a little. I should take a short nap now.)
[18 Minutes Later]
(Oh, we must be there. I guess I should go now; the roads are really boring. I wonder how people do this every day for work.)
(Money is really important.)
Our character gets off the minibus and starts walking home.
[6 Minutes Later]
Our character arrives home.
(I hope my mom doesn't get mad. If she does, it's going to be a real problem.)
Our character knocks on the door, and his mother opens it.
Sarah: Where have you been again?
****: I was outside.
Sarah: I can see that, ****.
****: Okay, Mom, I'm sorry. Can I come in now?
Sarah: Fine, come in. I don't want this to happen again.
****: Okay.
(Wow, she didn't get as mad as I expected. I'm surprised.)